Wednesday, October 17, 2007

Better understanding of Derrida

Having watched the biography on Derrida it gave me much more insight into him as a person and I believe made me better understand,"Structure Sign and Play". The whole time Derrida was being filmed he was very conscious of the cameras and was pointing the fact out they were there following him every chance that he got. I do not think the irony of following around Derrida and making a documentary film on him was last on the directors. Just the way they went about posing questions to Derrida or the places they followed him to showed that. I really enjoyed it when they would have the woman's voice saying a quote from one of Derrida's writ ting while he was doing such average mundane things as getting a haircut or buttering his toast. That brought it all back and showed that they understood somewhat what they were actually doing.

I think Derrida's image helps to understand more about his writing because you can actually put a face to what he says, it at least made it more interesting to me. Derrida's hair made a big impression on me throughout the movie as well. When I looked at him I found myself mostly looking at his hair all crazy and white. It just seemed to fit his thoughts and writing that are so deep and hard to grasp it fit for him to have this almost mad scientist type hair. I came away from watching the film feeling as if Derrida was a pretty funny guy. When they were in his library at his home and was asked if he had read all of the books he had. His response that no he had only read three or four but he read those three or four really well was really funny to me. Then in the movie when he mentioned that your eyes never change no matter what made me look more deeply at his eyes and they are just great. He has a very charming look to him and it seemed very uncomplicated, not like his ideas at all.

Being followed and interviewed as much as Derrida was must not of been the easiest thing but he was not going easy on the interviewers which I thought was rather appropriate of him. There was a big disconnect between what the interviewer wanted from the answer and what Derrida was willing to give them, or maybe that is exactly how they planed it. This point was especially clear when Derrida was sitting with his wife and they were asking about how they met and Derrida would only give facts. He would not show anything deep that had to do with feelings or had any real meaning behind it just trivial things like the year they met and where they were. Having Derrida refer to the film process as very American really cleared some things up for me. Americans always want to know more just to expand on a topic, its not really asking any specific question they just want to know more. I found it interesting when I thought about it and that it was very American to do that, that its not really gone about that way in other cultures. So when Derrida was asked to just expand on love he couldn't just talking about it and thinking about it I don't think anyone truly can its silly.

1 comment:

barrowme said...

I agree with many of your comments. Perhaps, what I found most provocative was how Derrida deconstructed the very “Americanness” of the documentary. People would just fire questions at Derrida and expect this compact, neat, and rational answer. It’s like our ‘elaboration’ discussion in class. It is true that by nature Americans want elaboration and neatness. Perhaps this is where I struggle with theory. I guess my American tendencies limit my ability to comprehend theory because I want definitive and clear answers. I really wanted Derrida to go into detail about love. However, can I really ever grasp the concept of love? Would Derrida’s words give ‘love’ justice? I am not sure…